The Gateways series signalled a definitive departure from representational painting towards abstract work. Many of these symbolic pictures and sculptures were inspired by a further trip to India and time spent in Mumbai. The Gateway of India left an indelible mark and so became the starting point for the series, as well as a metaphor for the stylistic change taking place. Pictures were complete, not when no more could be added, but rather when no more needed to be removed.
This new direction has allowed for a far more visceral approach giving the materials greater expression, unencumbered by representation. Different tools such as large spatulas, knives and lengths of wood were used to introduce the elements of risk, chance and opportunity. Each painting becomes unique in the artist's search for the unexpected.
With a more restrained economy of means, the paintings are less about finish as about the process - a process of not knowing, one that may reveal something you weren't looking for. The picture finds itself in the mysterious and compelling process of being painted.